A History of Music Players

What would our lives be like without music? A couple of words that come to mind would be “bland” and “colorless”. Event the most joyless contrarians likely have at least a basic appreciation of music. For many of us our most vivid memories can be triggered by music. Just a few bars of a particular tune can take us back to very specific times, places, and events in our lives. Those memories often lay dormant until resuscitated by a particular piece of music. Sometimes those memories are bright and soothing. Sometimes they are not. Music stimulates reactions within the listener that cover the entire emotional spectrum. Our rich history of music players, and their development, has been the direct result of our love for the medium.

The History of Music Players Began with Edison:

Thomas Edison introduced the Phonograph—also often referred to as the Gramophone—in 1877. Edison’s Phonograph was the first device that could both record, and play back, sound. This was a revolutionary development. Prior to 1877, back through millennia, music could only be listened to in real time. Great musical performances could not be recorded and were, therefore, not available for wider consumption. You were either one of the fortunate members of the live audience or you had to rely on repeat live performances that may or may not have been equal to the original. There was no recorded music in the home. Imagine that.

Edison’s Phonograph, like all initial breakthrough inventions, was crude in design and function. The sound quality was poor and the device had to be cranked by hand. Nevertheless, Edison had started the evolution that would fundamentally change the way that we consumed music and forever alter the impact of music on our lives. There would be no history of music players without that first Edison Phonograph.

A Major Step Forward:

Vinyl records and the turntable. Aside from the fact that vinyl records are making a comeback there is a very large swath of the population that has never listened to a vinyl record spinning on a turntable. Those folks are deserving of our sympathy. For warmth of sound nothing comes close to vinyl. Never mind the inevitable scratches, the wearing down of the needle, or the occasional warping; vinyl records and their turntables had a magic that the digital evolution has not been able to capture. The pure thrill of pulling an album out of its sleeve for the first time and gently placing it on a turntable cannot be overstated. It goes beyond mere nostalgia. The album covers themselves were often works of art to be enjoyed along with the records. Albums and turntables were a much more tactile experience than any other type of music playback device… perhaps that is what is driving their resurgence.

The Great Leap Forward (???):

Next we get to the much beleaguered 8 Track Cassette Player. This infamous technology entered the scene during the mid-60’s and survived until the late 70’s. Most of its infamy is well deserved. They were extremely high maintenance, requiring one to carry a variety of chemical cleaners, pencils, screw-drivers, tape, and other sundry gadgets just to keep the things working. They hissed, they “clunked” from track to track, and about once a day they would grind to a halt revealing a tangled mess of tape that had to be extricated and rewound. But, they had one glorious advantage… you could play them in your car! They were portable, although “portable” meant that if you wanted to carry your tape collection in your car you needed a small steamer trunk to do so.

Music Clubs:

One by-product of the advent of the 8 track cassette was the introduction of music clubs. Clubs that offered a naive teenager a whopping ten 8 tracks cassettes for only 99 cents. What a deal! The only small caveat was that you had to agree to buy ten more cassettes at the “regular” price over the next 2 years. So what! Still sounded like a great opportunity to a kid with limited funds. Of course the problem was that the ten cassettes you had to buy at regular price came from a very limited selection. Obscure bands with names similar to “Captain Ron and the Bail Jumpers” or “The Blue Moodys”. Most of us kids were eventually turned over to a collection agency…

Improved Cassette Technology (the last analog entry in the history of music players):

Compact Cassette Technology. What a relief. This next generation of music playback was an order of magnitude better than the 8 track cassette. You still had the occasional tape spaghetti phenomena but it was much easier to deal with. The compact cassettes were a fraction of the size of the 8 track, resulting in a game-changing ability to pack a ton of music into a relatively small space. Noise reduction technology had also advanced, thereby significantly improving the overall quality of the sound. Sadly, the “music clubs” continued their endeavors to entrap the unsuspecting youth but by this time I was much too sophisticated to fall for their trickery.

The Digital Revolution:

The Compact Disc made its first appearance sometime during the early 80’s. By the mid to late 80’s CD’s had already overtaken the compact cassette in terms of units and dollars. The ultimate in terms of player reliability, storage, and pristine clarity of signal. It was astonishing to listen to digital music for the first time. No other technology had been able to produce such crystalline quality. How many of us are still holding large quantities of CD’s despite the continued evolution of digital technology?

Digital vs Analog. There are some (myself among them) that claim that the transition from analog to digital, while greatly improving signal clarity, has come at the expense of warmth. If you doubt that, just listen to Pink Floyd’s “Dark Side of the Moon” on CD and then on Vinyl. But, that is perhaps a topic for another day.

Where will our history of music players take us from here? It will be fun to find out.

Top Country Songs of All Time – Four Evergreen Country Songs

Country music, with its harmonious ensemble of banjos, harmonicas, electric guitars, violins, and acoustic guitars, has captured many fans from around the world. Although it began in 1920s, the music gained its popularity during the 1940s. With many styles and sub-genres of country music nowadays, there are still many old country songs that remain close to the heart of their lovers. Here are the top four of evergreen country songs of all time.

1. George Jones – “He Stopped Loving Her Today”

The song was written by Bobby Braddock and Curly Putman for the American country singer George Jones. The song was released in April 1980 and was included in Jones’ album “I am What I Am”. For six years, the song remained Jones’ number one single. The song tells about a man who never gave up loving a woman. The day the man stopped loving her was the day he died. Surprisingly, the woman of his life turned up at his funeral.

2. Patsy Cline – “Crazy”

Although originally written by Willie Nelson, Patsy Cline’s version received the most positive reviews and became the number two hit in 1962. In 1961, Willie Nelson, who at the time had written many hit songs but had not yet succeeded with his own recording, offered the song to country singer Billy Walker, which was turned down. The song then went to Patsy Cline who successfully brought the song to be listed in the U.S. Billboard Hot Country Singles for 21 weeks.

3. Hank Williams, Sr. – “Your Cheatin’ Heart”

The song was written and recorded by Hank Williams, Sr. in 1952, but was not released until his death in 1953. The slow blues ballad, telling the true story of a lover who was guilty of cheating on the singer, was inspired by Williams’ first wife Audrey Williams. The song has been recorded by many notable singers from various genres such as Nat King Cole, Elvis Presley, Louis Armstrong, Patsy Cline, Van Morrison, Fats Domino, and LeAnn Rimes.

4. Marty Robbins – “El Paso”

“El Paso” was first released in September 1959 in Robbins’ album “Gunfighter Ballads and Trail Songs”. The single not only became a hit on country music charts; pop music charts also received the song very well. In early 1960, both music charts placed the song on their number one position. In 1961, “El Paso” received a Grammy Award for the Best Country & Western Recording. The four-minute and thirty-eight second song tells the story of a cowboy from El Paso, Texas who fell in love with Feleena, a beautiful girl who danced at Rosa’s Cantina.

Tips to Get the Best Royalty Free Music Online

Have you ever watched a video online or a television commercial and question how and/or where do they get the awesome, high quality music playing in the background? The individuals/companies behind the media had to acquire what is known as royalty free music. What is royalty free music?

Audio files that are licensed by a customer for use in media-related activities such as film, radio or television

This article was written to provide insight as well as suggestions on how to acquire the best royalty free music online. To begin, here are some things you should look out for:

Sources with free audio download

Websites that provide free audio files usually come with a catch. You have to pay additionally for licensing. You can always download the audio files for non-commercial use, but the only way to avoid a potential lawsuit is to pay extra. There are also websites that provide free audio downloads without licensing information. I would suggest avoiding these sites all together if you plan on using their music commercially. You might be thinking “why would anyone copyright free music?” Well, you would be surprised to know that many of these sites get their music from untrustworthy sources. Some even upload copyrighted music and offer it for free.

Sources with low quality playback

If you are looking for royalty free music online on a website where the playback quality is short of outstanding in your opinion, then you should probably leave. It is true that some websites provide low quality playback intentionally to prevent persons from wanting to steal their music. However, you may find that they may not have a choice in the matter, as the original audio file may already be of low quality. As of late, the more trusted sources that offer royalty free music are using tagged audio files for track previews. What I mean by this is that they provide tags or identifiers throughout the track, as this has proven in recent years to be the most effective way to preventing audio theft online. An example of this could be the website’s name being repeated every four bars throughout the preview.

Sources that don’t provide any licensing information

Websites that do not give any kind of information pertaining to licensing are likely untrustworthy. If you are especially cautious, you may want to contact the website owners about this. Any trustworthy website should have a contact system; most are named the “Contact Us” link.

Sources that don’t provide any audio playback

This may be the most important thing to look out for. If a website can’t provide a preview of what you might be interested in, then you are probably wasting your time there.

So where should you look?

Ideally, sources that are to be utilized for finding royalty free music would be those that offer:

High Quality Playback
Licensing Options (such as Standard or Unlimited)
Variety

The only drawback to using these sites would be that they can be very expensive, and that’s just for a single audio file.

Of course you should know that there are sources out there that provide affordable solutions to high quality, royalty free audio. Feel free to visit my website for more information or if you prefer you can always explore different sources on your own. I hope this was helpful.

Cheers.

Love Songs and Their Meanings Throughout History

Love songs touch people in a way that nothing else can. They can sway the most prideful person to forgive. Love songs help you remember when and why you fell in love. Love songs are for every season, every person, and every relationship. Whether you’re in the 9th grade and had your first kiss, or have been married for 5 decades and still in love, love songs are for everyone. Love songs generally consist of falling in love, meeting someone for the first time, missing someone who is not with you, or heart break.

Many popular love songs had girl’s names. For example there’s the hit “Think of Laura” by Christopher Cross. Toto sang about a girl named “Rosanna”. Steven Perry of Journey brought himself to tears while singing “Oh Sherry”. There’s also the pop hit “Hey There Delilah” by the Plain White T’s.

Even rap got into those type of songs. LL Cool J told the world that “I need Love”. The ghetto hit “You’re All I Need” by Method Man & Mary J Blige actually won them an MTV Award.

There are different types of themes for songs. You have songs for weddings, romantic country songs, cheesy teenage songs about their love, R&B romantic songs, heavy metal rock ballads, jazz songs are talking about love, blues deals with this subject, and yes, reggae is not immune to love, eiher. Love songs say we will get through this. You have for example Phil Collins hit “Against All Odds”. Some love songs say it hurts but it’s worth it as in Pat Benatar’s “Love is a Battlefield”. Some of the songs embrace the bliss and euphoria of being with your soul mate as in Stevie Wonder’s “Overjoyed”. There are songs that say it’ll be alright and it’s us against the world as in Bon Jovi’s “You Were Born to be My Baby”.

Some so called romantic songs defined a decade: 70’s were the year of love, long hair, and totally open hearts that embraced the intense emotion of love. The Soulful Al Green said “Let’s Stay Together”. Donna Summer went quasi instrumental with her interpretation of “I feel Love” While Nazareth went to the dark side with “Love Hurts”.

The 80’s were more about big hair, makeup, all night parties and hangovers, but love made their way onto the airwaves anyway. Lionel Richie woke us up with “Hello”, and made every guy want to call his girlfriend right away. Kenny Rogers made every woman cry with “Lady”. Foreigner made every woman feel wanted with “Waiting for a Girl Like You.” Chris DeBurgh fascinated us with “Lady in Red” (which also became a very popular wedding song during the 80’s). Whitney Houston had one of the most popular love songs in the 80’s with “The Greatest Love of All”. Her majestic voice made even the men tear up (though they’ll never admit it).

Then along came the 90’s with much darker, and heart wrenching romantic songs. Because grunge became so popular with it’s industrial, hard rock edginess, it comes as no surprise that most love songs of the 90’s were R&B and soft rock. Take Mariah Carey and Boys II Men’s “One Sweet Day” for example. IT was a soft R&B ballad which set the town for many more 90’s duet love songs. John Michael Montgomery sang with All-4-One and produced the hit “I Will Love You Like That”. Barbara Streisand and Bryan Adams came together to sing “I Finally Found Someone”. However, Celine Dion (who sang solo on this one) had the most famous song of the 90’s with “My Heart Will Go On”. It remains the number one selling love song of all time.

The decade beginning with 2000 began with a redefining. We were not the cheesy generation of the 80’s. Neither were we the dark, gothic “generation X” of the 90’s. We still though, had love songs. Kimberly Locke told her man he was the “8th World Wonder”. Michelle Branch told us to “Breath”. Mary J Blige touched every heart with the R&B hit “Can’t Be Without You”. Jennifer Lopez wowed us with the remake of “You’re My Everything”. Mariah Carey, Joe, and 98 Degrees didn’t get enough credit with their powerful love ballad “Thank God I found you”. The 2000-2009 decade may not have had a musical identity, but the songs from this period had lots of passion.

Things change. People change, and so do generations. Yet love songs are eternal. They define us in ways nothing else can.

Top Ringtones Charts

It is quite natural that the top songs make it to the top ringtones charts. Over the years, thousands of singers have created thousand of top songs that have made it to the top hits charts in the different countries of the world. Ever since mobile technology allowed songs to be downloaded as ringtones, people used their favorite songs as their phone ringtones.

There are so many categories of songs. We have rock n’ roll, pop, R&B, soul, ballads and so on and so forth. Although the choice of top phone ringtones varies from user to user from place to place, it has been generally seen that the top cell phone ringtones tend to be those songs that are fast and rhythmic. With slow numbers like ballads, it is sometimes possible that the user cannot hear. This is especially true in case of ladies who have the habit of keeping their phones inside their purses.

If you are looking for an attractive song to be set as your cell phone ringtone, then you can go to various websites that list top ringtone downloads. These websites give you a double advantage. The home page usually contains the top rated ringtones that users download. Apart from that, you can also search for your choice of top ringtone from the archive. The better ringtone websites usually have a huge database of ringtones from which you can choose the one you want.

The best part about cell phone ringtones is that people keep on changing them at regular intervals. So, you will not find a website that will have a constant list of top ringtone downloads. The list will keep on changing from time to time. If you are looking for some top songs that are extremely popular, then you will almost always locate them on the home page. Otherwise, you will need to search a bit.

Another option for finding the top rated ringtones is by directly searching in a search engine. You can simply visit Google, Yahoo or Bing and search for top cell phone ringtones. You will get an exhaustive list of websites that will showcase their top ringtone downloads. Once you locate the song that you want, you can directly go to that website and download it as your cell phone ringtone.

Top hits are aplenty and sometimes it can be quite confusing as to which song to choose as your cell phone ringtone. Before you decide to download a ringtone, please make sure you have a small list to choose from. You will save a lot of time on choosing one of the top songs as your cell phone ringtone. Make a quick decision and enjoy listening to your favorite song the moment someone calls.

The Best Coldplay Songs Of All Time – And Why?

No one can argue that Coldplay is one of the best bands of today. Their music has been spread across the globe from the US to Canada, Australia to New Zealand, England to France and many more. Personally, I’m a huge Coldplay fan and when the question of “what are the best Coldplay songs of all time” came up amongst a few friends of mine while playing Rock Band it got the cogs in mind thinking…

I decided that there were too many great Coldplay songs so I narrowed it down to just five. Here’s what I came up with…

Trouble

Trouble is the song that made me fall in love with the band. A great starting piano tune that not only delivers an excellent chorus but then tops that with a remarkable ending. Not too many songs these days change total direction at the end and give their listeners something more at the finale. A gorgeous video combining stop-motion and digital effects. If you’re unfamiliar with Coldplay’s music then this is a great place to start.

Speed of Sound

Great beat. Great lyrics. Again, you have a beautiful piano part starting the song off. Where “Trouble” is a steady horse from start to end, Speed of Sound is more like a gallop that increases as the song progresses. Just when you think they’ve drawn you in with the ultimate hook they continue to deliver hook after hook in this song. And not just in the vocals. The guitars and piano are all throwing in their cool little hooky riffs. Its kinda like one of those russian dolls that you keep opening up to more and more cute little dolls. This song is guaranteed to fill your musical palette over and over again.

In My Place

In My Place starts with a rockin drum line with kick, snare and hi-hat by the ever-talented “Will Champion”. Then a beautiful guitar line comes in with Jonny Buckland leading us through the whole song. This is the first hook we hear in the song, played in the upper registers of the guitar with a combination of arpeggios and melodic note choices. I always find it funny to hear instruments in a song that don’t show up in the video. If you listen closely you’ll hear a gentle organ playing its way through the verse but in the video it’s not featured. And once again Chris does an amazing job coming up with the best hooks in the chorus providing not only a great Pop/Rock tune but a memorable song that will last through the times.

Clocks

I don’t think any piano line has been played more than the one from Clocks. You’ll not only hear this song in every romantic movie out there but the piano hook itself has been dissected from the song just to be featured by itself in many movies and tv shows. The song is a basic 4/4 form but what’s great is how they divide the meter. A constant division of 3-3-2 driving you throughout the entirety of the song. It provides not only a great rock feel but with such a rhythm it’s guaranteed you’ll find yourself alone in your room dancing like a freak until your mum walks in on you embarrassing you in the process.

The Scientist

No other song by Coldplay gives me goosebumps like The Scientist. A sweet and nostalgic tune that enjoys a long intro with Chris Martin on vocals and piano. It’s not until the 1:38 mark does the full band finally come in. That’s a big no no in the Pop world. You see, by Pop standards you’re supposed to hit the full chorus by at least the first 30 seconds. But that’s perhaps what I love about this song. They manage to go outside that box and provide a moving a wonderful musical tale. In the July 14th, 2005 edition of Rolling Stone magazine, Chris Martin is quoted as saying:”On the second album I was thinking there was something missing. I was in this really dark room in Liverpool, and there was a piano so old and out of tune. I really wanted to try and work out the George Harrison song ‘Isn’t It A Pity,’ but I couldn’t. Then this song came out at once. I said, ‘Can you turn on the recorder?’ The first time I sung it is what’s out there.”

Electronic Keyboards – Their History and Development

The term “electronic keyboard” refers to any instrument that produces sound by the pressing or striking of keys, and uses electricity, in some way, to facilitate the creation of that sound. The use of an electronic keyboard to produce music follows an inevitable evolutionary line from the very first musical keyboard instruments, the pipe organ, clavichord, and harpsichord. The pipe organ is the oldest of these, initially developed by the Romans in the 3rd century B.C., and called the hydraulis. The hydraulis produced sound by forcing air through reed pipes, and was powered by means of a manual water pump or a natural water source such as a waterfall.

From it’s first manifestation in ancient Rome until the 14th century, the organ remained the only keyboard instrument. It often did not feature a keyboard at all, instead utilizing large levers or buttons that were operated by using the whole hand.

The subsequent appearance of the clavichord and harpsichord in the 1300’s was accelerated by the standardization of the 12-tone keyboard of white natural keys and black sharp/flat keys found in all keyboard instruments of today. The popularity of the clavichord and harpsichord was eventually eclipsed by the development and widespread adoption of the piano in the 18th century. The piano was a revolutionary advancement in acoustic musical keyboards because a pianist could vary the volume (or dynamics) of the sound the instrument produced by varying the force with which each key was struck.

The emergence of electronic sound technology in the 18th century was the next essential step in the development of the modern electronic keyboard. The first electrified musical instrument was thought to be the Denis d’or (built by Vaclav Prokop Dovis), dating from about 1753. This was shortly followed by the “clavecin electrique” invented by Jean Baptiste Thillaie de Laborde around 1760. The former instrument consisted of over 700 strings temporarily electrified to enhance their sonic qualities. The later was a keyboard instrument featuring plectra, or picks, that were activated electrically.

While being electrified, neither the Denis d’or or the clavecin used electricity as a sound source. In 1876, Elisha Gray invented such an instrument called the “musical telegraph.,” which was, essentially, the very first analog electronic synthesizer. Gray discovered that he could control sound from a self-vibrating electromagnetic circuit, and so invented a basic single note oscillator. His musical telegraph created sounds from the electromagnetic oscillation of steel reeds and transmitted them over a telephone line. Grey went on to incorporate a simple loudspeaker into his later models which consisted of a diaphragm vibrating in a magnetic field, making the tone oscillator audible.

Lee De Forrest, the self-styled “Father Of Radio,” was the next major contributor to the development of the electronic keyboard. In 1906 he invented the triode electronic valve or “audion valve.” The audion valve was the first thermionic valve or “vacuum tube,” and De Forrest built the first vacuum tube instrument, the “Audion Piano,” in 1915. The vacuum tube became an essential component of electronic instruments for the next 50 years until the emergence and widespread adoption of transistor technology.

The decade of the 1920’s brought a wealth of new electronic instruments onto the scene including the Theremin, the Ondes Martenot, and the Trautonium.

The next major breakthrough in the history of electronic keyboards came in 1935 with the introduction of the Hammond Organ. The Hammond was the first electronic instrument capable of producing polyphonic sounds, and remained so until the invention of the Chamberlin Music Maker, and the Mellotron in the late 1940’s and early 1950’s. The Chamberlin and the Mellotron were the first ever sample-playback keyboards intended for making music.

The electronic piano made it’s first appearance in the 1940’s with the “Pre-Piano” by Rhodes (later Fender Rhodes). This was a three and a half octave instrument made from 1946 until 1948 that came equipped with self-amplification. In 1955 the Wurlitzer Company debuted their first electric piano, “The 100.”

The rise of music synthesizers in the 1960’s gave a powerful push to the evolution of the electronic musical keyboards we have today. The first synthesizers were extremely large, unwieldy machines used only in recording studios. The technological advancements and proliferation of miniaturized solid state components soon allowed the production of synthesizers that were self-contained, portable instruments capable of being used in live performances.

This began in 1964 when Bob Moog produced his “Moog Synthesizer.” Lacking a keyboard, the Moog Synthesizer was not truly an electronic keyboard. Then, in 1970, Moog debuted his “Minimoog,” a non-modular synthesizer with a built-in keyboard, and this instrument further standardized the design of electronic musical keyboards.

Most early analog synthesizers, such as the Minimoog and the Roland SH-100, were monophonic, capable of producing only one tone at a time. A few, such as the EML 101, ARP Odyssey, and the Moog Sonic Six, could produce two different tones at once when two keys were pressed. True polyphony (the production of multiple simultaneous tones which allow for the playing of chords) was only obtainable, at first, using electronic organ designs. There were a number of electronic keyboards produced which combined organ circuits with synthesizer processing. These included Moog’s Polymoog, Opus 3, and the ARP Omni.

By 1976, additional design advancements had allowed the appearance of polyphonic synthesizers such as the Oberheim Four-Voice, and the Yamaha series CS-50, CS-60, and CS-80. The first truly practical polyphonic synth, introduced in 1977, was the Sequential Circuits Prophet-5. This instrument was the first to use a microprocessor as a controller, and also allowed all knob settings to be saved in computer memory and recalled by simply pushing a button. The Prophet-5’s design soon became the new standard in the electronic keyboards industry.

The adoption of Musical Instrumental Digital Interface (MIDI) as the standard for digital code transmission (allowing electronic keyboards to be connected into computers and other devices for input and programming), and the ongoing digital technological revolution have produced tremendous advancements in all aspects of electronic keyboard design, construction, function, sound quality, and cost. Today’s manufactures, such as Casio, Yamaha, Korg, Rolland, and Kurzweil, are now producing an abundance of well-built, lightweight, versatile, great sounding, and affordable electronic keyboard musical instruments and will continue to do so well into the foreseeable future.

Blondie Biography and Top 10 Songs

There were two main reasons I started listening to Blondie and they were: first I thought Debbie Harry was amazingly beautiful and second the style of music they made. At the time I got into Blondie I was listening to a lot of punk and new wave stuff like The Sex Pistols, The Clash, Sham 69, The Exploited, Ramones, Ian Dury, The Stranglers, etc… and it also helped me to annoy my parents. I actually used to like putting posters on my wall when I was a kid at school and one of my posters was a full size poster of Debbie Harry.

Blondie are an American punk/new wave cross and were formed in 1975 and consisted originally of Chris Stein, Debbie Harry, Jimmy Destri, Clem Burke and Gary Valentino. They were originally named “Angel And The Snake” but changed their name to Blondie in 1975 because Debbie Harry was repeatedly referred to as Blondie.

The self titled Blondie debut album was released in 1976 and then re-released a year later when they signed to a new record company. The band first received commercial success through an Australian TV show cock-up, the show was supposed to play the video to X Offender but actually played the video to In The Flesh. This event saw the album reach #5 in the chart. In 1977 Gary Valentine had left and the album Plastic Letters was released and saw Blondie achieve success in the UK when the album went in to the top ten.

The hole that was made when Gary left the band was filled in 1978 by the inclusion of Frank Infante and then a new member (Nigel Harrison) was also added and Blondie embarked on a massive UK tour which included a gig at The Roadhouse where The Boomtown Rats Opened. This tour made Blondie one of the first American New Wave bands to attain success in the UK.

Blondie started to see even more success after the release of their third album Parallel Lines in 1978 which contained the song Heart Of Glass which was their first US #1 hit and actually went on to sell over 1 million copies. Blondie seemed to be more popular in the UK and this was somewhat due to the singles Sunday Girl (which went to #1) and also One Way Or Another. Their fourth album Eat To The Beat also had many singles which were popular in the UK (Dreaming, Atomic and Union City blues).

1980 saw Blondie rise again in the US chart with the Release of the album Autoamerican which contained the hit singles The Tide Is High, Rapture and Call Me (which was recorded for the movie American Gigolo). Rapture is the only Blondie single to get a higher chart position in the US (#1) than the UK (#5) and was revolutionary because of the combination of rap/hip-hop with their usual sound.

The Hunter was released in 1982 and didn’t do as well as some of their previous albums and both Debbie Harry and Jimmy Destri had both released solo albums in 1981. After the decline in popularity of the band and the rising media attention of Debbie she decided to leave and Blondie broke up in August 1982. In 1997 they reformed and in 1999 the release of No Exit saw them return to the top of the charts once again and the single Maria reached #1 in the UK exactly 20 years after their first which was Heart Of Glass.

Blondie released the album The Curse of Blondie in 2003 and March 2006 saw Blondie inducted into the Rock And Roll Hall Of Fame and also onto the Rock Walk Of Fame at Guitar Center on Sunset Boulevard in Hollywood.

My Top 10 Blondie Songs are:

01. Island of Lost Souls

02. Dreaming

03. One Way or Another

04. X Offender

05. Kung Fu Girls

06. (I’m Always Touched By Your) Presence Dear

07. Union City Blue

08. For Your Eyes Only

09. Maria

10. Good Boys

Music – The Best Forms of Entertainment

One of the best forms of entertainment is music, but it is also the best form of relaxation also. The best way to enjoy your favorite music is in solitude with only yourself for company. Different people prefer different kinds of music and if you are in the company of those who would prefer listening to something totally different, then it is best to get yourself a pair of ear phones and blissfully enjoy your own kind of music.

Music is also a form of art which brings great pleasure to those who compose it and to those who play it and bring it alive. Each country and tribe has their own kind of music which expresses their way of enjoying life. Some have lilting and ethereal music while the others the wild beat of drums with which they convey themselves. Music of any kind is enjoyable but it depends on the individuals state of mind and background for them to enjoy and appreciate it.

There is the ear drum blasting decibels of the rock groups which are a craze amongst the younger generations, the rhythmic dance music for those whose interest lies in dance and for those who would like to dim their lights and just drift into a dream world of music the classics of olden days by composers like Beethoven and Mozart. Music is truly the food of the soul and makes anyone feel on top of the world while they are lost in enjoying it to the fullest.

A Brief History of Rock and Pop Music

You may be wondering when exactly did rock/pop music begin? There’s no clear answer to this. Some might say that it started with the advent of rock n roll with Bill Haley and the Comets in 1952. Others would say Elvis, although not the first but surely the original truly global superstar. Yet none of these were really the first. Rock n roll has its roots in blues which has its roots back to the 19th century with black immigrants trying to escape from their slave driven lives. Fast forward to the early 20th. century and some of the earliest recordings on 78 began to appear. Players from this time such as Bobby Jo and Robert Johnson helped to form the structure of early blues

Robert Johnson had recorded only thirty songs during his short life as he was prevented from achieving true fame while alive by being poisoned by a jealous husband. He died shortly before he was being sought to appear at the ‘Spirituals To Swing’ concert in 1938 by record producer John Hammond. As a result, his reputation only took off after Hammond released an album of his recordings for Columbia in the early sixties. Later blues exponents like Muddy Waters and Eric Clapton admitted borrowing heavily from these early stalwarts.

In the 50’s, artists took the basic blues style and used electric guitars, drums and double bass for the first time creating early rock n roll, later known as rockabilly. Stalwarts like Chuck Berry, Buddy Hollie and Jerry Lee Lewis were the most famous protagonists here. Later Elvis in the US and to a lesser extent, Cliff Richard (later leading the Shadows) in the UK brought rock n roll to a truly worldwide audience. This paved the way for the 60’s beat era which could be considered the true beginning of pop music as we know it today, certainly as far as bands were concerned.

In the 50’s and early 60’s, it was mostly lead solo artists with just a backing band. With the advent of the beat era, bands dominated with The Beatles, The Rolling Stones and the Beach Boys from the US taking the world by storm. Even so, The Beatles later admitted being heavily influenced by those earlier rock n roll and blues artists. They mostly played rock n roll and blues covers at their pre-fame Hamburg concerts. in the early 60’s. The Beatles however, were the first band to successfully blend classical music textures with rock n roll to form perfectly crafted pop songs. While bands like The Rolling Stones continued with the mainly rock n roll theme,

The Beatles took their finely crafted style further in the seminal album ‘Sgt. Pepper’s Lonely Hearts Club Band’ in 1967 by utilizing new studio techniques and instruments never used before. They used a new instrument called ‘the Melotron’ This was basically a keyboard which played looped tape recordings. of real instruments. The most famous sound from this was probably the flute used on the ‘Strawberry Fields’ single recorded at the same time but later dropped from the album. The Melotron though, was cumbersome and unreliable and had a rather grainy sound. Even so It was regarded as the forerunner of the electronic sampler, invented nearly 20 years later. Infinitely more flexible than the Melotron, the sampler helped build the framework for modern pop,dance and R&B music.

The Beatles ‘Sgt.. Pepper’ album with its groundbreaking recording techniques was preceded the year before by their ‘Revolver’ album. These LP’s helped popularize a new wave in music known as psychedelic or acid rock, named after the mind bending effects of LSD drugs. Pink Floyd also recorded their debut album ‘Piper at the Gates of Dawn’ in the studio next door at the same time that The Beatles recorded Sgt. Pepper. It was reported that Pink Floyd were a direct influence to The Beatles as a result. This new style incorporated new guitar effects like Fuzz, flanger anger and delays. These were used along side the earliest portable synthesizers such as the therein and mini Moog. invented by Bob Moog.

In America, the Beach boys responded with the ‘Pet sounds’ LP in 1966 and later that year released the first big psychedelic hit ‘Good Vibrations’. About this time, the band ‘Jefferson Airplane’ recorded their debut album which was also the first LP to come out of the new San Franciscan music scene. This got the record industry’s attention and they had two of the earliest psychedelic hits ‘White Rabbit’ and ‘Somebody to Love’ in 1967.

Meanwhile in Los Angeles, Jim Morrison joined with members of The Psychedelic Rangers and Rick and the Ravens to form ‘The Doors’ They were initially turned down by Columbia but were signed to Electra Records and released their self titled debut LP in 1967. The album included the 7 minute long hit single ‘Light my Fire’ one of the first to break the typical three minute pop and rock song barrier.

Back in Britain, radio broadcasting was very limited because the BBC were the only organization allowed to broadcast on the mainland and had just two pop music shows The Saturday club and Easy Beat Radio Luxembourg partially filled the gap but it was left to pirate radio, broadcast from ships out at sea with DJ John Peel’ which enabled the new style to reach a mass audience, often eclipsing the BBC in popularity. The BBC responded in the end with the advent of Radio 1 in June 1967. With the existing labor government making pirate radio illegal in Britain several months later, Du’s like John Peel rather than risk arrest joined radio 1 which had a much more informal and relaxed style as opposed to the staid and conservative approach favored by the BBC until then. This perfectly suited psychedelic pop and rock and John Peel championed this in his late night shows. playing new genres of music and introducing new and unsigned bands in the Peel sessions. He did this for nearly four decades until his death in 2004.

By the end of the 60’s after the break up of the beatles, mainstream music was about to change direction yet again both in style and fashion.